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It's the first Duck Amuck in Japan of 2025, but it's also the first one where King Baby Duck is 40! Yes, KBD has left the thirties behind, and has a bit to say about it. He also shares some

Giraffes make for the best spirit animals, as they're the only living creatures with their heads in the clouds and their feet planted on the ground. It's the perfect name for a heavy rock band too, one that New York

It's the last Duck Amuck in Japan of the year, broadcasted on the final day of 2024! And it's a special one, as King Baby Duck, AFLM, and JonStar are all in the same room to record it! The boys

It's Christmas Eve, and Shameless Tuesdays wants to ring in the holidays! This year, we've reached out to our friends in Jody and the Jerms, who've put together a wonderful winter-themed playlist for your listening pleasure! So let's check in

Just from the sound of Alex Evans's voice, you can tell that THE WOOD has been through a lot. Despite Days being their debut album, it's filled with seasoned, grizzled veteran vibes. Perhaps it's the Mark Lanegan-like aura it possesses,

Loads of music is discussed in this week's Duck Amuck in Japan, as AFLM and JonStar reveal their Spotify Year-End lists. However, it's King Baby Duck who shows a shocking lack of musical goodness when he reveals his numbers. Thankfully,

When he's not rocking out in I Am A Rocketship, Eric Weissinger is experimenting with a more Argentinian flavor. AEROLINEA is his latest side project, teaming up with vocalist Victoria Real to craft something hypnotic. Their debut album All We

It's all music and anime on this week's edition of Duck Amuck in Japan! King Baby Duck chats quickly about the Tokyo International Music Market, as well as giving shoutouts to Bandruption and his DJ friend Mike Rogers. JonStar makes

For a dozen years, Wednesday Campanella (or Suiyoubi no Campanella, as they’re known in Japan) has crafted the songs worthy of any high-end club. Although they’ve tinkered with their sound here and there, the trio’s main aim is to get

No two cities are exactly the same, and Joe Geni knows that well. His new concept album Cities Built Upon Cities (produced by Charlie Nieland, who worked with Blondie and Rufus Wainwright just to name a few) doesn't have one